The Renaissance Lets Its Hair Down

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Hair has been an integral part of defining sexuality and gender for centuries. During the Renaissance, Sandro Botticelli emerged as the great painter of hair, making it a threshold to erotic desire. His Idealized Portrait of a Woman (allegedly Simonetta Vespucci), painted in the early 1480s, defied Florentine sumptuary laws with over two hundred painted pearls in her hair. Unfortunately, Botticelli was eventually defeated by religious repression, and his Christ the Redeemer of circa 1500 was his only late painting in which he still showed an interest in hair. Read full article here

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